{"id":8607,"date":"2019-05-28T15:08:21","date_gmt":"2019-05-28T15:08:21","guid":{"rendered":"http:\/\/bonomogallery.com\/?p=8607"},"modified":"2020-10-12T19:12:54","modified_gmt":"2020-10-12T19:12:54","slug":"a-review-of-tristano-di-robilant-youth-at-tristan-hoare-london","status":"publish","type":"post","link":"https:\/\/bonomogallery.com\/en\/a-review-of-tristano-di-robilant-youth-at-tristan-hoare-london\/","title":{"rendered":"A Review of Tristano di Robilant: Youth at Tristan Hoare, London"},"content":{"rendered":"\r\n<p class=\"\">In an essay on the poet Enrique Lihn\u2019s <em>In the dark room<\/em>, the writer Alejandro Zambra says: \u2018childhood is, then, a time in the service of ghosts, a place to put images that, seen from the present, form a kind of foundation. A difficult foundation, of course, unsteady: the darkroom is where photographs are developed, where images appear, for the first time fixed on paper, that both authorise and destroy identity\u2019.<\/p>\r\n<p class=\"\">In <em>Youth<\/em>, Tristano di Robilant\u2019s first show at Tristan Hoare Gallery, one feels that Zambra might just have easily been describing the Italian-American artist\u2019s lucid images from his own childhood. The exhibition gathers together di Robilant\u2019s early photographs with his later glass and bronze sculptures. In the light of these mature works, photography appears as a site of <em>primigenio<\/em>. Literally \u2018before generation\u2019, this term captures a kind of ideal anteriority of the sort revealed in di Robilant\u2019s youthful gaze.<\/p>\r\n<p><a href=\"http:\/\/www.arteviste.com\/arteviste\/areviewoftristanodirobilant-wd8ct\" target=\"_blank\" rel=\"noopener noreferrer\">Read more&#8230;<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>In an essay on the poet Enrique Lihn\u2019s In the dark room, the writer Alejandro Zambra says: \u2018childhood is, then, a time in the service of ghosts, a place to put images that, seen from the present, form a kind of foundation. A difficult foundation, of course, unsteady: the darkroom is where photographs are developed, &#8230;<\/p>\n","protected":false},"author":1,"featured_media":8608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[25],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/posts\/8607\/"}],"collection":[{"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/comments\/?post=8607"}],"version-history":[{"count":2,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/posts\/8607\/revisions\/"}],"predecessor-version":[{"id":10129,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/posts\/8607\/revisions\/10129\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/media\/8608\/"}],"wp:attachment":[{"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/media\/?parent=8607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/categories\/?post=8607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bonomogallery.com\/en\/wp-json\/wp\/v2\/tags\/?post=8607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}